Oly Studio - Jonathan Large Stool

At an impressive 36.25 inches in diameter, the Jonathan Large Stool by Oly Studio commands attention as both seating and sculptural statement through its tufted cushion secured by an iron frame standing at substantial proportions. The large scale accommodates multiple figures or extended lounging while the sculptural iron base becomes an architectural element worthy of observation. The tufted cushioning creates visual rhythm and textural depth while the generous diameter provides genuine comfort without the sprawl that oversized ottomans impose. The iron framework develops patina over years, creating weathered aesthetic that improves with accumulated age and environmental exposure. Oly Studio’s approach to upholstered seating celebrates frame visibility and material honesty rather than the concealment typical of contemporary design. The 36.25-inch diameter anchors living rooms and entry galleries where sculptural seating adds presence while the generous height accommodates comfortable use alongside sofas and chairs. The substantial dimensions position the Jonathan Large as primary functional seating rather than supplementary ottoman—multiple figures can settle comfortably for extended gathering. The made-to-order construction includes custom finish matching and precise cushion tailoring, ensuring your stool arrives as completed composition rather than assembly requiring finishing touches. Upholstery selections in premium fabrics and leathers allow customization while the iron frame ensures every Jonathan Large stool possesses architectural presence regardless of textile selection. Position as primary seating in living rooms, as foot support and additional surface beside substantial sofas, or as sculptural object in entries where the impressive diameter becomes a welcome statement. The iron frame invites touch and sustained observation—the sculptural form remains engaging when unoccupied and becomes more intimate as cushioning adjusts to seated weight. The Jonathan Large Stool proves that seating furniture merits sculptural ambition and material honesty—this piece refuses the anonymity that contemporary seating frequently embodies.